Vases

Vases

A heavy rectangular slab of clear glass cradles a violet bowl-form, with embers of red caught beneath it, the colour submerged and sealed so it seems to hover at the centre. On a Dubai console, an entrance shelf, or a quiet corner of a hospitality suite, it reads as a sculpted object first and a vase second, light deepening the violet to amethyst as the day turns. Perfect for those seeking a piece of colour with real weight, finished by hand.

Vases

Coral red runs deep through the glass, carved into vertical petals that fold around the form, gathered as if caught mid-open. The surface is frosted to a soft matte, so the colour reads as a warm, powdery glow rather than a shine — closer to skin than to gloss. On a Dubai console, an entrance shelf, or a quiet corner of a majlis, it draws the eye as a piece of warmth first and a vase second. Perfect for those seeking a piece of colour with a hand-carved, tactile presence.

Vases

An ovoid of clear glass cradles a textured core where green runs through with veins of gold, the colour submerged and sealed so it seems to hang weightless at the centre. On a Dubai console, an entrance shelf, or a quiet corner of a majlis, it reads as a sculpted object first and a vase second, the gold catching and releasing light as the day turns. Perfect for those seeking a piece of colour with real weight, finished by hand.

Vases

Warm amber glass, blown free without a mould, then wrapped while still soft in a single thread of red that winds around the body and never quite repeats. The swirl is a record of the maker's hand — turning, pulling, letting the glass find its own line — so no two pieces carry the same rhythm. On a Dubai console, an entrance shelf, or the corner of a majlis, the amber glows honey in daylight and deepens to embers as the light drops, the red thread catching the eye like a brushstroke. Perfect for those seeking warmth and motion in a piece finished entirely by hand.

Vases

Free-blown amber glass falls into a run of organic vertical ridges, a bark-like surface that catches the hand and the eye at once, no two columns alike. The colour sits deep and resinous, so that on a Dubai console, an entrance shelf, or the corner of a majlis it glows rather than shines, holding a pool of honeyed light through the day. It reads as a carved object before it reads as a vase, the ridges throwing soft shadows of their own. Perfect for those seeking warmth with texture, finished entirely by hand.

Vases

Smoke-grey crystal, cut by hand into clean facets, holds a pool of amber suspended at its core — a warm ember sealed inside cool grey, so the colour seems to glow from somewhere deep within. Each cut plane breaks the light a little differently, smoke softening to amber and back again as you move past it. On a Dubai console, an entrance shelf, or a quiet corner of a hospitality suite, it reads as a sculpted object first and a vase second, the amber warming through the grey as the day turns. Perfect for those seeking a piece of colour with real weight, finished by hand.

Vases

A single ribbon of glass twists upon itself, black bleeding into cobalt along a spiked, spiralling body that finishes in a deep-red tip, glossy as a drop of pooled colour. Blown by breath alone, it carries the maker's hand in every spiked turn — no two coils ever fall the same way. On a Dubai console, an entrance shelf, or a quiet corner of a hospitality suite, it gathers and bends the light, the red catch flaring last as the eye travels down the spiral. Perfect for those seeking a piece with movement and real character, finished by hand.

Vases

The body is cut crystal in deep teal, every facet angled to break the light into shards of blue-green, set on a clear faceted base that lifts the colour off the surface it sits on. To either side, clusters of gilt blooms are applied by hand, gold against teal in the old enamelled tradition. On a Dubai console, an entrance shelf, or a majlis side table, it holds the eye as a sculpted object first and a vase second — colour and gold turning slowly through the day. Finished by hand, for those who want a piece with weight and a little ceremony to it.

Vases

An open faceted bowl carries citrine yellow at its heart, the colour thinning and cooling into soft green as it climbs the cut walls, an ombre worked entirely in the glass. Each facet catches the room and hands it back in slivers, so the piece is never quite the same twice across a day. On a Dubai console, an entrance shelf, or a low table in a hospitality suite, it reads as a cut object first and a bowl second — fill it with stems, with citrus, or with nothing at all. Perfect for those seeking colour and faceted light in one quiet gesture, finished by hand.

Vases

A heavy slab of clear glass holds a pool of cobalt blue above a drift of violet, the colour submerged and sealed so it seems to float at the centre. On a Dubai console, an entrance shelf, or a quiet corner of a hospitality suite, it reads as a sculpted object first and a vase second, light moving through it all day. Perfect for those seeking a piece of colour with real weight, finished by hand.

Decorative Accents

This exquisite vase features a striking faceted outer shell made from clear crystal, encasing an inner amber-tinted glass vessel. Its geometric design and dual-tone aesthetic make it an ideal centerpiece for luxury residential or upscale commercial interiors, enhancing compositions with fresh florals or standing beautifully as a sculptural object.