Decorative Accents

Vases

A heavy rectangular slab of clear glass cradles a violet bowl-form, with embers of red caught beneath it, the colour submerged and sealed so it seems to hover at the centre. On a Dubai console, an entrance shelf, or a quiet corner of a hospitality suite, it reads as a sculpted object first and a vase second, light deepening the violet to amethyst as the day turns. Perfect for those seeking a piece of colour with real weight, finished by hand.

Vases

Coral red runs deep through the glass, carved into vertical petals that fold around the form, gathered as if caught mid-open. The surface is frosted to a soft matte, so the colour reads as a warm, powdery glow rather than a shine — closer to skin than to gloss. On a Dubai console, an entrance shelf, or a quiet corner of a majlis, it draws the eye as a piece of warmth first and a vase second. Perfect for those seeking a piece of colour with a hand-carved, tactile presence.

Vases

An ovoid of clear glass cradles a textured core where green runs through with veins of gold, the colour submerged and sealed so it seems to hang weightless at the centre. On a Dubai console, an entrance shelf, or a quiet corner of a majlis, it reads as a sculpted object first and a vase second, the gold catching and releasing light as the day turns. Perfect for those seeking a piece of colour with real weight, finished by hand.

Vases

Warm amber glass, blown free without a mould, then wrapped while still soft in a single thread of red that winds around the body and never quite repeats. The swirl is a record of the maker's hand — turning, pulling, letting the glass find its own line — so no two pieces carry the same rhythm. On a Dubai console, an entrance shelf, or the corner of a majlis, the amber glows honey in daylight and deepens to embers as the light drops, the red thread catching the eye like a brushstroke. Perfect for those seeking warmth and motion in a piece finished entirely by hand.

Vases

Free-blown amber glass falls into a run of organic vertical ridges, a bark-like surface that catches the hand and the eye at once, no two columns alike. The colour sits deep and resinous, so that on a Dubai console, an entrance shelf, or the corner of a majlis it glows rather than shines, holding a pool of honeyed light through the day. It reads as a carved object before it reads as a vase, the ridges throwing soft shadows of their own. Perfect for those seeking warmth with texture, finished entirely by hand.

Vases

Smoke-grey crystal, cut by hand into clean facets, holds a pool of amber suspended at its core — a warm ember sealed inside cool grey, so the colour seems to glow from somewhere deep within. Each cut plane breaks the light a little differently, smoke softening to amber and back again as you move past it. On a Dubai console, an entrance shelf, or a quiet corner of a hospitality suite, it reads as a sculpted object first and a vase second, the amber warming through the grey as the day turns. Perfect for those seeking a piece of colour with real weight, finished by hand.

Vases

A single ribbon of glass twists upon itself, black bleeding into cobalt along a spiked, spiralling body that finishes in a deep-red tip, glossy as a drop of pooled colour. Blown by breath alone, it carries the maker's hand in every spiked turn — no two coils ever fall the same way. On a Dubai console, an entrance shelf, or a quiet corner of a hospitality suite, it gathers and bends the light, the red catch flaring last as the eye travels down the spiral. Perfect for those seeking a piece with movement and real character, finished by hand.

Vases

The body is cut crystal in deep teal, every facet angled to break the light into shards of blue-green, set on a clear faceted base that lifts the colour off the surface it sits on. To either side, clusters of gilt blooms are applied by hand, gold against teal in the old enamelled tradition. On a Dubai console, an entrance shelf, or a majlis side table, it holds the eye as a sculpted object first and a vase second — colour and gold turning slowly through the day. Finished by hand, for those who want a piece with weight and a little ceremony to it.

Vases

An open faceted bowl carries citrine yellow at its heart, the colour thinning and cooling into soft green as it climbs the cut walls, an ombre worked entirely in the glass. Each facet catches the room and hands it back in slivers, so the piece is never quite the same twice across a day. On a Dubai console, an entrance shelf, or a low table in a hospitality suite, it reads as a cut object first and a bowl second — fill it with stems, with citrus, or with nothing at all. Perfect for those seeking colour and faceted light in one quiet gesture, finished by hand.

Vases

A heavy slab of clear glass holds a pool of cobalt blue above a drift of violet, the colour submerged and sealed so it seems to float at the centre. On a Dubai console, an entrance shelf, or a quiet corner of a hospitality suite, it reads as a sculpted object first and a vase second, light moving through it all day. Perfect for those seeking a piece of colour with real weight, finished by hand.

Faux Florals

An architectural study in white calla lilies, their sweeping forms balanced against fine blade grass in a pale, daylit setting. Crafted to retain its poised silhouette indefinitely, this arrangement brings sculptural calm to entryways, consoles and curated tabletops. Perfect for those seeking a quiet botanical statement that endures.

Faux Florals

A sculptural interplay of cymbidium orchids and berried accents, composed for interiors that speak in restraint. Each stem is hand-finished to hold its form season after season, the muted botanical palette settling quietly into neutral, light-filled rooms — a considered gesture for designers sourcing lasting botanical presence without upkeep. Perfect for those seeking enduring, low-maintenance elegance for residential and hospitality interiors.

Faux Florals

This is floral presence at full voice — generous hydrangea heads layered with the painterly spires of delphinium for a composition that fills a room with quiet drama. Tones move softly from powder to deep ink-blue, gathered with the lushness of a garden brought indoors and the discipline of a finished decorative object. Hand-composed to read beautifully from every angle, it anchors a reception, dining setting, or grand console with confident ease. It brings the abundance of fresh florals with none of the upkeep. Perfect for those seeking a floral statement that feels lavish, layered, and effortlessly refined.

Faux Florals

There is a quiet confidence to the calla lily — its smooth, sculptural curve answered here by the soft cascade of cymbidium orchids. Together they read as a study in restraint and grace, ivory forms rising from a calm neutral vessel with the poise of a still-life painting. Hand-composed to feel resolved from every angle, the arrangement brings considered calm to a console, reception desk, or quiet residential corner. It offers the elegance of fresh blooms with none of the upkeep — an enduring, gallery-calm presence. Perfect for those seeking a floral statement that feels serene, refined, and effortlessly timeless.

Faux Florals

Architecture meets botany in this composition, where the sculptural arc of orchids is drawn taut against fine blades of steel grass. The effect is graphic and deliberate — soft petals held in tension by clean architectural line, a modern gesture rooted in natural form. Set in an understated vessel, it lends a refined, editorial energy to a space without ever feeling busy. Hand-composed to hold its presence from every angle, it brings the polish of fresh florals with none of the maintenance. Perfect for those seeking a floral statement that feels contemporary, disciplined, and quietly striking.

Faux Florals

The calla lily has long been beloved of designers — pure line, no excess — and here it takes centre stage as a sculptural object in its own right. Ivory blooms curve and lean with the intention of a brushstroke, composed to feel less like a bouquet and more like a piece of art. Anchored in a calm neutral vessel, the arrangement carries a sense of gallery stillness into a console, lounge, or refined residential setting. It offers lasting elegance with none of the upkeep of fresh stems. Perfect for those seeking a floral statement that feels minimal, sculptural, and unmistakably considered.

Faux Florals

Restraint is its own kind of luxury, and this pared-back composition makes the case beautifully — a spare gathering of greenery rising from a softly tinted bottle-form vessel. It reads as a considered accent rather than a centrepiece, the kind of quiet botanical gesture that brings life to a bedside, a shelf vignette, or a layered tablescape. Hand-composed to feel intentional from every angle, it offers fresh-garden calm with none of the maintenance. Perfect for those seeking a floral accent that feels understated, natural, and quietly elegant.

Decorative Accents

An imaginative artist collaboration pillow depicting a futuristic cityscape stroll on premium silk. Created by Zarema Magribova for SILU.

Decorative Accents

Orange Hydrangea, Fragrant Pine, Maple Leaf, Moth Orchid is presented as a project-led surface piece with a quieter, more architectural material language.

Decorative Accents

A whimsical artist collaboration pillow on luxurious silk. Designed by Zarema Magribova for SILU.

Decorative Accents

Luxurious faux floral arrangement featuring tiger-tail lily, lily bamboo, king's flower, yellow lily, lycoris, millet fruit, hanging rice, and bird's nest leaf. Displayed in an elegant vase, ideal for hotel lobbies, luxury residences, and high-end commercial spaces.

Decorative Accents

This exquisite vase features a striking faceted outer shell made from clear crystal, encasing an inner amber-tinted glass vessel. Its geometric design and dual-tone aesthetic make it an ideal centerpiece for luxury residential or upscale commercial interiors, enhancing compositions with fresh florals or standing beautifully as a sculptural object.